"Xerxes, HWV 40: 4. Largo (Ombra mai fu)" by George Frideric Handel, Tasmanian Symphony Orchestra, Nicolette Fraillon was released on February 27, 2015. Xerxes, HWV 40: 4. Largo (Ombra mai fu) is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Various Artists's "In Their Branches: Musical Reflections on the Magic of Trees" album is number 17 out of 17. On top of that, Australia appears to be the country where this track was created. Xerxes, HWV 40: 4. Largo (Ombra mai fu) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Xerxes, HWV 40: 4. Largo (Ombra mai fu) by George Frideric Handel, Tasmanian Symphony Orchestra, Nicolette Fraillon to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): VII. Intermezzo No. 2 | Rodion Shchedrin, Monte-Carlo Philharmonic Orchestra, James DePreist | E Major | 0 | 12B | 120 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Pavane Op. 50 (orch. version, 1887) - 1993 Remastered Version | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Delius: 2 Aquarelles: No. 1, Slow (Arr. Fenby for String Orchestra) | Frederick Delius, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Pavane pour une infante defunte | Maurice Ravel, Donald Sosin, Nora Shulman, Judy Loman | E Minor | 1 | 9A | 93 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 6, HWV 324: IV. Allegro | George Frideric Handel, Nils-Erik Sparf, Tullo Galli, Kari Ottesen, Drottningholm Baroque Ensemble, Anders Öhrwall | F♯ Minor | 1 | 11A | 113 BPM |
Section: 0.6368036270141602
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