Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Erich Kunz made "Der Vogelfänger bin ich ja (Papageno)" available on November 6, 2013. The duration of Der Vogelfänger bin ich ja (Papageno) is about 3 minutes long, at 3:19. Based on our data, "Der Vogelfänger bin ich ja (Papageno)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker's "La flûte enchantée" album is number 4 out of 20. Der Vogelfänger bin ich ja (Papageno) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Der Vogelfänger bin ich ja (Papageno) by Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Erich Kunz to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in E-Flat Minor: VI. Lacrymosa | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova | E♭ Major | 0 | 5B | 167 BPM | ||
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: Overture | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski, Les Musiciens du Louvre.Grenoble | C Major | 1 | 8B | 145 BPM | ||
La capricieuse, Op. 17 | Edward Elgar, Ruggiero Ricci, Ernest Lush | E Minor | 3 | 9A | 92 BPM | ||
Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n" | Franz Schubert, Elly Ameling, Gewandhausorchester Leipzig, Kurt Masur | F Major | 0 | 7B | 76 BPM | ||
Messe du couronnement, K. 317: Credo | Wolfgang Amadeus Mozart, La Maîtrise de Paris, Budapest Orfeo Orchestra, Patrice Marco, Gyorgy Vashegyi, Noemi Rime, Christine Batty, Stuart Patterson, Bernard Deletré | C Minor | 1 | 5A | 86 BPM | ||
Thema und Variationen concertante B-dur op.33 (Arie der Mechthilde aus SILVANA J 87 · Romatische Oper in 3 Akten) bearbeitet für Klarinette und Orchester: - Thema | Carl Maria von Weber, Sabine Meyer, Franz Welser-Moest, Franz Welser-Möst, Orchester der Oper Zürich | B♭ Major | 0 | 6B | 71 BPM | ||
The Creation, Hob. XXI:2: Pt. I, No.4: Mit Staunen sieht das Wunderwerk [the marv'lous work beholds amaz'd [Gabriel] | Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering | C Major | 2 | 8B | 114 BPM | ||
Le nozze di Figaro, K.492 / Act 1: Giovani liete, fiori spargete | Wolfgang Amadeus Mozart, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus, John Keenan | D Minor | 2 | 7A | 83 BPM | ||
Offenbach: Orphée aux enfers: Overture | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de Lyon | G Major | 2 | 9B | 127 BPM |
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