Der Vogelfänger bin ich ja (Papageno)
Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Erich Kunz
La flûte enchantée
3:19 November 6, 2013
BPM
80
Key
G Major
Camelot
9B

Embed

Share Link

Der Vogelfänger bin ich ja (Papageno) - Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Erich Kunz Information

Acousticness
94%
Danceability
63%
Energy
12%
Instrumentalness
0%
Liveness
31%
Loudness
69%
Speechiness
52%
Valence
62%
Popularity
Loudness
-18.807 dB

Summary

Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Erich Kunz made "Der Vogelfänger bin ich ja (Papageno)" available on November 6, 2013. The duration of Der Vogelfänger bin ich ja (Papageno) is about 3 minutes long, at 3:19. Based on our data, "Der Vogelfänger bin ich ja (Papageno)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker's "La flûte enchantée" album is number 4 out of 20. Der Vogelfänger bin ich ja (Papageno) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Der Vogelfänger bin ich ja (Papageno) BPM

We consider the tempo marking of Der Vogelfänger bin ich ja (Papageno) by Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Erich Kunz to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Der Vogelfänger bin ich ja (Papageno) Key

The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Requiem in E-Flat Minor: VI. Lacrymosa by Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya PetrovaRequiem in E-Flat Minor: VI. LacrymosaJózef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya PetrovaE♭ Major05B167 BPM
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: Overture by Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski, Les Musiciens du Louvre.GrenobleOffenbach: La Grande-Duchesse de Gérolstein, Act 1: OvertureJacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski, Les Musiciens du Louvre.GrenobleC Major18B145 BPM
La capricieuse, Op. 17 by Edward Elgar, Ruggiero Ricci, Ernest LushLa capricieuse, Op. 17Edward Elgar, Ruggiero Ricci, Ernest LushE Minor39A92 BPM
Stabat mater, op.58: 5. Coro Stabat mater, op.58: 5. Coro "Tui nati vulnerati"Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe SinopoliD Major110B147 BPM
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n"Franz Schubert, Elly Ameling, Gewandhausorchester Leipzig, Kurt MasurF Major07B76 BPM
Messe du couronnement, K. 317: Credo by Wolfgang Amadeus Mozart, La Maîtrise de Paris, Budapest Orfeo Orchestra, Patrice Marco, Gyorgy Vashegyi, Noemi Rime, Christine Batty, Stuart Patterson, Bernard DeletréMesse du couronnement, K. 317: CredoWolfgang Amadeus Mozart, La Maîtrise de Paris, Budapest Orfeo Orchestra, Patrice Marco, Gyorgy Vashegyi, Noemi Rime, Christine Batty, Stuart Patterson, Bernard DeletréC Minor15A86 BPM
Thema und Variationen concertante B-dur op.33 (Arie der Mechthilde aus SILVANA J 87 · Romatische Oper in 3 Akten) bearbeitet für Klarinette und Orchester: - Thema by Carl Maria von Weber, Sabine Meyer, Franz Welser-Moest, Franz Welser-Möst, Orchester der Oper ZürichThema und Variationen concertante B-dur op.33 (Arie der Mechthilde aus SILVANA J 87 · Romatische Oper in 3 Akten) bearbeitet für Klarinette und Orchester: - ThemaCarl Maria von Weber, Sabine Meyer, Franz Welser-Moest, Franz Welser-Möst, Orchester der Oper ZürichB♭ Major06B71 BPM
The Creation, Hob. XXI:2: Pt. I, No.4: Mit Staunen sieht das Wunderwerk [the marv'lous work beholds amaz'd [Gabriel] by Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas SperingThe Creation, Hob. XXI:2: Pt. I, No.4: Mit Staunen sieht das Wunderwerk [the marv'lous work beholds amaz'd [Gabriel]Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas SperingC Major28B114 BPM
Le nozze di Figaro, K.492 / Act 1: Giovani liete, fiori spargete by Wolfgang Amadeus Mozart, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus, John KeenanLe nozze di Figaro, K.492 / Act 1: Giovani liete, fiori spargeteWolfgang Amadeus Mozart, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus, John KeenanD Minor27A83 BPM
Offenbach: Orphée aux enfers: Overture by Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de LyonOffenbach: Orphée aux enfers: OvertureJacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de LyonG Major29B127 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8295543193817139

End: 0.8353629112243652