"Morning, Evening & Communion Service in B-Flat Major, Op. 10 (Excerpts) [Version for Choir & Organ]: X. Gloria in excelsis" by Charles Villiers Stanford, Durham Cathedral Choir, Keith Wright, James Lancelot was released on February 19, 1993. The duration of Morning, Evening & Communion Service in B-Flat Major, Op. 10 (Excerpts) [Version for Choir & Organ]: X. Gloria in excelsis is about 3 minutes long, at 3:13. Based on our data, "Morning, Evening & Communion Service in B-Flat Major, Op. 10 (Excerpts) [Version for Choir & Organ]: X. Gloria in excelsis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Stanford: The Complete Morning & Evening Services, Vol. 1". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. The popularity of Morning, Evening & Communion Service in B-Flat Major, Op. 10 (Excerpts) [Version for Choir & Organ]: X. Gloria in excelsis is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Morning, Evening & Communion Service in B-Flat Major, Op. 10 (Excerpts) [Version for Choir & Organ]: X. Gloria in excelsis by Charles Villiers Stanford, Durham Cathedral Choir, Keith Wright, James Lancelot having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms : 7 Lieder Op.62 : III Waldesnacht | Johannes Brahms, Arnold Schoenberg Chor | D Minor | 2 | 7A | 76 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
Magnificat | Magnificat in C | C.V. Stanford, Canto di Lode, Rinus Verhage | C Major | 1 | 8B | 79 BPM | ||
4 Songs of Love: No. 2, Until the Daybreak | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | F Minor | 0 | 4A | 74 BPM | ||
All-night Vigil, Op. 37, "Vespers": Hexapsalms: Glory to God on high | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 71 BPM | ||
Four Vocal Quartets with piano, Op. 92: I. O schöne Nacht! | Johannes Brahms, RIAS Kammerchor, Alain Planès | D♭ Major | 1 | 3B | 106 BPM | ||
Threshold of Night | Tarik O'Regan, Craig Hella Johnson, Conspirare | B♭ Major | 0 | 6B | 79 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VI. Hymn of the Cherubim | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 85 BPM |
Section: 0.8551392555236816
End: 0.8589670658111572