"La Bohème / Act 1: "Io resto" - Live" by Giacomo Puccini, Rolando Villazón, Boaz Daniel, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy was released on January 1, 2008. With La Bohème / Act 1: "Io resto" - Live being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Puccini: La Bohème". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, La Bohème / Act 1: "Io resto" - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Bohème / Act 1: "Io resto" - Live by Giacomo Puccini, Rolando Villazón, Boaz Daniel, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ferma, perfido; ferma" | Wolfgang Amadeus Mozart, Joyce DiDonato, Konstantin Wolff, Mojca Erdmann, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin | A♭ Major | 3 | 4B | 118 BPM | ||
Turandot / Act 1: O giovinetto! Grazia, grazia! (Coro, Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 2 | 1B | 75 BPM | ||
Turandot (2008 Digital Remaster), Act I: Signore, ascolta! | Giacomo Puccini, Maria Callas, Eugenio Fernandi, Elisabeth Schwarzkopf, Giuseppe Nessi, Nicola Zaccaria, Tul, Elisabetta Fusco, Giulio Mauri, Coro Del Teatro Alla Scala Di Milano, Pinuccia Perotti, Piero de Palma, Renato Ercolani, Orchestra Del Teatro Alla Scala, Milano, Mario Borriello, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F♯ Major | 3 | 2B | 78 BPM | ||
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
L'attaque du moulin - Drame lyrique en 4 actes: Le jour tombe | Alfred Bruneau, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | F♯ Major | 2 | 2B | 176 BPM | ||
La Bohème / Act 3: "Sa dirmi, scusi" - Live | Giacomo Puccini, Anna Netrebko, Gerald Haeussler, Tiziano Bracci, Bavarian Radio Symphony Orchestra, Bertrand de Billy | B Major | 0 | 1B | 65 BPM | ||
Manon / Act III: "Toi! Vous!... Ah! Viens, Manon, je t'aime!" | Jules Massenet, Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti | E Minor | 2 | 9A | 77 BPM | ||
Turandot / Act 2: Addio, amore, addio, razza! (Ping, Pong, Pang) | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 93 BPM | ||
La traviata / Act 1: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A♭ Major | 4 | 4B | 103 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Luca Pisaroni, Diana Damrau, Ildebrando D'Arcangelo, Vitalij Kowaljow, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 3 | 7B | 74 BPM |
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