"6 Pièces d'orgue: 6 Pieces: Grand choeur dialogue (arr. M. Harp)" by Eugène Gigout, Mike Harp, Paul Riedo, Dallas Wind Symphony, Frederick Fennell was released on March 1, 2012. With this song being about 5 minutes long, at 4:58, "6 Pièces d'orgue: 6 Pieces: Grand choeur dialogue (arr. M. Harp)" by Eugène Gigout, Mike Harp, Paul Riedo, Dallas Wind Symphony, Frederick Fennell is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Pomp & Pipes". In this album, this song's track order is #3. 6 Pièces d'orgue: 6 Pieces: Grand choeur dialogue (arr. M. Harp) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 6 Pièces d'orgue: 6 Pieces: Grand choeur dialogue (arr. M. Harp) by Eugène Gigout, Mike Harp, Paul Riedo, Dallas Wind Symphony, Frederick Fennell having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allein zu dir, Herr Jesu Christ | Johann Pachelbel, Dieter Glös | B♭ Major | 0 | 6B | 62 BPM | ||
Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 3 | 9B | 108 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Partie 3 en mi bémol majeur: Gigue | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | D Major | 4 | 10B | 78 BPM | ||
Toccata | Kalevi Kiviniemi, Eugène Gigout | F♯ Major | 1 | 2B | 65 BPM | ||
Sixième Symphonie. Allegro | Olivier Latry | G Minor | 3 | 6A | 71 BPM | ||
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM | ||
Requiem, Op. 9 (1961 version): Kyrie | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F Major | 2 | 7B | 85 BPM | ||
Concerto Grosso In D Minor, Op. 3, No. 11, Rv 565: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM |
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