"6 Pièces d'orgue: 6 Pieces: Grand choeur dialogue (arr. M. Harp)" by Eugène Gigout, Mike Harp, Paul Riedo, Dallas Wind Symphony, Frederick Fennell was released on March 1, 2012. With this song being about 5 minutes long, at 4:58, "6 Pièces d'orgue: 6 Pieces: Grand choeur dialogue (arr. M. Harp)" by Eugène Gigout, Mike Harp, Paul Riedo, Dallas Wind Symphony, Frederick Fennell is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Pomp & Pipes". In this album, this song's track order is #3. 6 Pièces d'orgue: 6 Pieces: Grand choeur dialogue (arr. M. Harp) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 6 Pièces d'orgue: 6 Pieces: Grand choeur dialogue (arr. M. Harp) by Eugène Gigout, Mike Harp, Paul Riedo, Dallas Wind Symphony, Frederick Fennell having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony for Organ No. 5 in F minor, Op. 42, No. 1: V. Toccata | Léon Boëllmann, Charles-Marie Widor, Eugène Gigout, Josef Klicka, Jiri Ropek | A♭ Major | 0 | 4B | 58 BPM | ||
"Alleluja" z Oratorium "Mesjasz" | George Frideric Handel, Théodore Dubois, Paweł Seligman | D♭ Major | 0 | 3B | 79 BPM | ||
Toccata In B Minor | Eugène Gigout, Bruce Prince-Joseph | B Minor | 5 | 10A | 78 BPM | ||
Suite No. 2: Toccata | Louis Vierne, Olivier Latry | B♭ Minor | 5 | 3A | 75 BPM | ||
Jerusalem, du hochgebaute Stadt | Max Reger, Ulrike Kern | D Major | 1 | 10B | 70 BPM | ||
Dorische Toccata Und Fuge In D-moll, BWV 538: Toccata | Ton Koopman | E♭ Minor | 3 | 2A | 83 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Allegro ma non troppo | Alexandre Pierre François Boëly, Maxime Heintz | F Minor | 3 | 4A | 163 BPM | ||
Chorale Improvisations, Op. 65, Book 5: No. 54, Werde munter, mein Gemüte | Sigfrid Karg-Elert, Stefan Engels | E Major | 1 | 12B | 86 BPM | ||
Toccata Op.5/3 | Joesph Bonnet, Charles-Marie Widor, David M Patrick | D Major | 3 | 10B | 174 BPM |
Section: 0.6087696552276611
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