- BPM
- 80
- Key
- C Major
- Camelot
- 8B
Prelude and Idyll: Idyll: Once I passed through a populous city (Baritone, Soprano) - Frederick Delius, Janice Watson, Alan Opie, Bournemouth Symphony Orchestra, David Hill Information
- Acousticness
- 98%
- Danceability
- 18%
- Energy
- 15%
- Instrumentalness
- 25%
- Liveness
- 19%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -21.279 dB
Summary
"Prelude and Idyll: Idyll: Once I passed through a populous city (Baritone, Soprano)" by Frederick Delius, Janice Watson, Alan Opie, Bournemouth Symphony Orchestra, David Hill was released on June 5, 2012. Prelude and Idyll: Idyll: Once I passed through a populous city (Baritone, Soprano) appears to be safe for all ages as it is not explicit. The song is number 6 out of 14 in Delius: A Mass of Life by Frederick Delius, David Hill. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Prelude and Idyll: Idyll: Once I passed through a populous city (Baritone, Soprano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prelude and Idyll: Idyll: Once I passed through a populous city (Baritone, Soprano) BPM
The tempo marking of Prelude and Idyll: Idyll: Once I passed through a populous city (Baritone, Soprano) by Frederick Delius, Janice Watson, Alan Opie, Bournemouth Symphony Orchestra, David Hill is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Prelude and Idyll: Idyll: Once I passed through a populous city (Baritone, Soprano) Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | |
 | Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | |
 | North Country Sketches: 3. Dance | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | D Major | 2 | 10B | 89 BPM | |
 | Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | |
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | |
 | 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | |
 | Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM |
- ISRC
- HKI191157706
- Label
- L-M Records/RCA Records
Section: 0.6789021492004395
End: 0.6822726726531982