"George Frideric Handel: Theodora-Oratorio (1750), HWV 68 -- To thee thou glorious son of worth" by Alfred Deller, Eileen Poulter (soprano), Wilfred Brown (tenor), Handel Festival Orchestra, Anthony Lewis (conductor), Maurice Bevan (Baritone) was released on March 10, 2009. With this song being about 5 minutes long, at 5:16, "George Frideric Handel: Theodora-Oratorio (1750), HWV 68 -- To thee thou glorious son of worth" by Alfred Deller, Eileen Poulter (soprano), Wilfred Brown (tenor), Handel Festival Orchestra, Anthony Lewis (conductor), Maurice Bevan (Baritone) is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 120 in Deller Vol. 4; Handel, Bach & The English Renaissance by Alfred Deller: Deller Consort, Gustav Leonhardt, Nikolaus Harnoncourt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, George Frideric Handel: Theodora-Oratorio (1750), HWV 68 -- To thee thou glorious son of worth's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of George Frideric Handel: Theodora-Oratorio (1750), HWV 68 -- To thee thou glorious son of worth by Alfred Deller, Eileen Poulter (soprano), Wilfred Brown (tenor), Handel Festival Orchestra, Anthony Lewis (conductor), Maurice Bevan (Baritone) is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Most Sweet And Pleasing Are Thy Ways, O God | Thomas Campion, Alfred Deller, Desmond Dupre | E Minor | 0 | 9A | 102 BPM | ||
I Attempt From Love's Sickness To Fly | Alfred Deller | D♭ Major | 1 | 3B | 83 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Euridice, Scena I: Per quel vago boschetto | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Luca Dordolo, Sylva Pozzer, Alessandro Carmignani, Mirko Guadagnini, Alessandro Gargiulo | G Major | 0 | 9B | 101 BPM | ||
A Midsummer Night's Dream / Act 1: "Be It On Lion, Bear, Or Wolf, Or Bull" | Benjamin Britten, Alfred Deller, Thomas Hemsley, Heather Harper, London Symphony Orchestra | G Major | 2 | 9B | 87 BPM | ||
Deuxième Livre de pièces de clavecin, sixième Ordre: Les Barricades mystérieuses | François Couperin, Christophe Rousset | A♭ Major | 2 | 4B | 80 BPM | ||
A Midsummer Night's Dream / Act 1: "What Thou Seest When Thou Dost Wake" | Benjamin Britten, Alfred Deller, London Symphony Orchestra | C Major | 1 | 8B | 137 BPM | ||
Reginald Spofforth- 18th Century Glee Club: L'ape E La Serpe | Alfred Deller, Deller Consort | G Major | 1 | 9B | 75 BPM | ||
If My Complaints Could Passions Move | John Dowland, Grace Davidson, David Miller | B Minor | 3 | 10A | 97 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM |
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