"Reginald Spofforth- 18th Century Glee Club: L'ape E La Serpe" by Alfred Deller, Deller Consort was released on July 22, 2008. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 25 out of 168 in Alfred Deller: The Complete Vanguard Classics Recordings - Folk Songs And Ballads by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Reginald Spofforth- 18th Century Glee Club: L'ape E La Serpe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Reginald Spofforth- 18th Century Glee Club: L'ape E La Serpe by Alfred Deller, Deller Consort is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery's Song | Alfred Deller | D♭ Major | 1 | 3B | 83 BPM | ||
A Midsummer Night's Dream / Act 1: "Well, Go Thy Way" | Benjamin Britten, Alfred Deller, Stephen Terry, London Symphony Orchestra | F Minor | 0 | 4A | 87 BPM | ||
Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
Graduale: Sederunt principes | Pérotin, Deller Consort, Alfred Deller | F Major | 4 | 7B | 105 BPM | ||
The Cuckoo And The Nightingale | Alfred Deller, Deller Consort | C Minor | 1 | 5A | 95 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Come, Ye Sons of Art Away, Z. 323: 2. Come, Ye Sons of Art | Henry Purcell, Alfred Deller, John Whitworth, The St. Anthony Singers, Ensemble Orchestral de L'Oiseau-Lyre, Anthony Lewis | D Major | 1 | 10B | 93 BPM | ||
Jubilate Domino, BuxWV60 | Dietrich Buxtehude, Alfred Deller, Eli Goren, Leonard Friedman, Anna Shuttleworth, Desmond Dupre | D Major | 1 | 10B | 80 BPM | ||
George Frideric Handel: Alexander's Feast – Part I -- Air: War, he sung, is toil and trouble | Honor Sheppard (Soprano), Max Worthley (Tenor), Maurice Bevan (Baritone), Alfred Deller, Oriana Concert Choir and Orchestra & Alfred Deller (Conductor) | A Major | 1 | 11B | 78 BPM | ||
Hymn: Oh my love, how comely now | Orlando Gibbons, Deller Consort, Alfred Deller | B Major | 0 | 1B | 63 BPM |
Section: 0.6269865036010742
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