- BPM
- 66
- Key
- G Major
- Camelot
- 9B
The Pond (Remembrance) - Charles Ives, Michael Tilson Thomas, San Francisco Symphony Information
- Acousticness
- 84%
- Danceability
- 6%
- Energy
- 2%
- Instrumentalness
- 66%
- Liveness
- 8%
- Loudness
- 35%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 0%
- Loudness
- -39.215 dB
Summary
"The Pond (Remembrance)" by Charles Ives, Michael Tilson Thomas, San Francisco Symphony was released on 1985. With The Pond (Remembrance) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Ives, Michael Tilson Thomas, Chicago Symphony Orchestra, Concertgebouworkest's "Michael Tilson Thomas Conducts Ives" album is number 3 out of 46. On top of that, United States appears to be the country where this track was created. The Pond (Remembrance) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Pond (Remembrance) BPM
We consider the tempo marking of The Pond (Remembrance) by Charles Ives, Michael Tilson Thomas, San Francisco Symphony to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The Pond (Remembrance) Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | |
 | Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | |
 | Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe | E♭ Major | 0 | 5B | 91 BPM | |
 | Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | |
 | Musica ricercata: No. 10, Vivace - Capriccioso | György Ligeti, Pierre-Laurent Aimard | F♯ Minor | 2 | 11A | 103 BPM | |
 | Trittico botticelliano, P. 151: I. La primavera | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | A Major | 1 | 11B | 130 BPM | |
 | Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | |
 | Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | |
 | Saariaho: Asteroid 4179 - Toutatis | Kaija Saariaho, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 2 | 4B | 105 BPM | |
 | Caroline Shaw: The Observatory | Caroline Shaw, Dalia Stasevska, BBC Symphony Orchestra | D Minor | 1 | 7A | 105 BPM |
- ISRC
- USBC10000533
- Label
- L-M Records/RCA Records
Section: 1.0368480682373047
End: 1.0433096885681152