"Il Barbiere di Siviglia (1997 Digital Remaster): Una voce poco fa" by Maria Callas, Philharmonia Orchestra, Alceo Galliera was released on 1997. Il Barbiere di Siviglia (1997 Digital Remaster): Una voce poco fa is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Maria Callas's "Maria Callas" album is number 3 out of 27. Il Barbiere di Siviglia (1997 Digital Remaster): Una voce poco fa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il Barbiere di Siviglia (1997 Digital Remaster): Una voce poco fa by Maria Callas, Philharmonia Orchestra, Alceo Galliera to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor: Act I: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | F♯ Major | 1 | 2B | 86 BPM | ||
Cherubini: Medea, Act II: "Creonte a me solo un giorno dà?" (Medea, Neris, Giasone) | Luigi Cherubini, Maria Callas, Fedora Barbieri, Gino Penno, Orchestra Del Teatro Alla Scala, Milano, Leonard Bernstein | D Minor | 1 | 7A | 172 BPM | ||
Ponchielli: La Gioconda, Act 2: "II mio braccio t'afferra!" (Gioconda, Laura) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano | B♭ Minor | 2 | 3A | 63 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
La Bohème: Act I: Mi chiamano Mimì | Giacomo Puccini, Montserrat Caballé, Plácido Domingo, Sir Georg Solti, London Philharmonic Orchestra | D Major | 0 | 10B | 169 BPM | ||
Mozart: Il ratto dal serraglio, K. 384, Act 2: "Tutte le torture" (Konstanze) [Live, Rome, 1952] | Wolfgang Amadeus Mozart, Maria Callas, Alfredo Simonetto, Orchestra Sinfonica di Roma della RAI | C Major | 2 | 8B | 120 BPM | ||
'O sole mio (Arr. Chiaramello) | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | A Major | 3 | 11B | 135 BPM | ||
Ponchielli: La Gioconda, Act 1: "E cantan su lor tombe!" (Barnaba, Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli | E Minor | 1 | 9A | 89 BPM | ||
Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM |
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