"Wassail all over the town" by Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson was released on December 12, 2019. The duration of Wassail all over the town is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Wassail all over the town's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson's "Kenneth Leighton: Sacred Choral Works" album is number 3 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Wassail all over the town is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wassail all over the town by Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Communion Hymn of Pascha - S. Trubachev | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | B Minor | 0 | 10A | 129 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Like a Darling: No. 3, Together | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | E Major | 0 | 12B | 79 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Requiem, Op. 9: I. Introït | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
Das ist der Tag des Herrn | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A Major | 1 | 11B | 112 BPM | ||
Annelies (chamber version): IX. The dream | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | F Major | 0 | 7B | 68 BPM | ||
Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM |
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