"Three Settings Of Lorine Niedecker (For Soprano And Violoncello): I Was The Solitary Plover" by Harrison Birtwistle, Adrian Brendel, Amy Freston was released on April 4, 2014. With Three Settings Of Lorine Niedecker (For Soprano And Violoncello): I Was The Solitary Plover being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harrison Birtwistle, Lisa Batiashvili, Adrian Brendel, Till Fellner, Amy Freston, Roderick Williams's "Harrison Birtwistle: Chamber Music" album is number 2 out of 18. On top of that, Germany appears to be the country where this track was created. Three Settings Of Lorine Niedecker (For Soprano And Violoncello): I Was The Solitary Plover is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Settings Of Lorine Niedecker (For Soprano And Violoncello): I Was The Solitary Plover by Harrison Birtwistle, Adrian Brendel, Amy Freston to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade: III. Eryximachus. Presto | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Bebe a ete sage? (Mama) | Maurice Ravel, Delphine Galou, Orchestre National De Lyon, Leonard Slatkin | A Major | 1 | 11B | 85 BPM | ||
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse | Karol Szymanowski, Elizabeth Chang, Steven Beck | E♭ Minor | 2 | 2A | 174 BPM | ||
The Mask of Orpheus, Act I Scene 1: First Ceremony | Harrison Birtwistle, BBC Symphony Orchestra, Andrew Davis | D Minor | 3 | 7A | 120 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: I go before my Judge | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Nine Settings Of Lorine Niedecker (For Soprano And Violoncello): Hear Where Her Snowgrave Is | Harrison Birtwistle, Adrian Brendel, Amy Freston | F♯ Major | 0 | 2B | 79 BPM | ||
Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | A♭ Minor | 3 | 1A | 81 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Ad libitum, senza misura | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodo | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D Major | 1 | 10B | 109 BPM |
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