Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto's 'Purcell / Arr. Pluhar: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Aria. "Wondrous Machine"' came out on 1900. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Henry Purcell, Christina Pluhar's "Music for a While - Improvisations on Purcell" album is number 9 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Purcell / Arr. Pluhar: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Aria. "Wondrous Machine" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Purcell / Arr. Pluhar: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Aria. "Wondrous Machine" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 59 BPM | ||
La vignon | Monsieur de Sainte-Colombe, Hille Perl | G Major | 1 | 9B | 115 BPM | ||
Handel / Arr Pluhar: Sinfonia (From Alcina HWV 34) | George Frideric Handel, Christina Pluhar, L'Arpeggiata | F Major | 3 | 7B | 120 BPM | ||
Campana: È già rotto lo strale | Francesca Campana, Christina Pluhar, L'Arpeggiata, Luciana Mancini | C Major | 2 | 8B | 118 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Traditional / Arr Pluhar: Orfeo Chamán, Act 4: Aparición de Eurídice (Nahual, Eurídice, Orfeo) | Traditional, Christina Pluhar, Vincenzo Capezzuto, Luciana Mancini, Nahuel Pennisi, L'Arpeggiata | C Major | 3 | 8B | 102 BPM | ||
Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | E♭ Minor | 1 | 2A | 84 BPM | ||
Suda sangue | Traditional, Christina Pluhar | E Major | 1 | 12B | 61 BPM | ||
The Indian Queen, Z. 630, Act III: Symphony: The God of Dreams Rises | Henry Purcell, The Sixteen, Harry Christophers | F♯ Minor | 0 | 11A | 77 BPM | ||
Bütner: Ich suchte des Nachts in meinem Bette | Crato Bütner, Christina Pluhar, Céline Scheen, L'Arpeggiata | C Major | 1 | 8B | 81 BPM |
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