Slovak Chamber Orchestra made "Orchestral Suite No. 4 in D Major, BWV 1069: IV. Menuet I/II" available on January 2, 2019. The duration of Orchestral Suite No. 4 in D Major, BWV 1069: IV. Menuet I/II is about 3 minutes long, at 3:24. Based on our data, "Orchestral Suite No. 4 in D Major, BWV 1069: IV. Menuet I/II" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 16 in Beloved Bach: Three Suites for Orchestra by Johann Sebastian Bach by Slovak Chamber Orchestra. Based on our statistics, Orchestral Suite No. 4 in D Major, BWV 1069: IV. Menuet I/II's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Orchestral Suite No. 4 in D Major, BWV 1069: IV. Menuet I/II by Slovak Chamber Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Concerto in F Major, Opus 26, No. 5: I. Allegro | Michel Corrette, Slovak Chamber Orchestra, Bohdan Warchal, Ján Vladimír Michalko | F Major | 1 | 7B | 184 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Concerto Grosso in A Minor for Two Violins, Op. 3 No. 8: Allegro | David Oistrakh, Igor Oistrakh | A Minor | 2 | 8A | 96 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Camerata Romana, Eugen Duvier | D Minor | 3 | 7A | 91 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: II. Adagio | Bohdan Warchal, Jozef Zsapka, Slovak Chamber Orchestra | F♯ Minor | 0 | 11A | 68 BPM | ||
Symphony in F sharp minor, H.I No.45 -"Farewell": 1. Allegro assai | Franz Joseph Haydn, Orpheus Chamber Orchestra | F♯ Minor | 2 | 11A | 83 BPM |
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