Alessandro Melani, Auser Musici, Giorgio Celenza, Carlo Ipata's 'L’empio punito, Act I Scene 14: Molto bene io ti comprendo (Live)' came out on September 18, 2020. With L’empio punito, Act I Scene 14: Molto bene io ti comprendo (Live) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alessandro Melani, Raffaela Milanesi, Alberto Allegrezza, Auser Musici, Carlo Ipata's "Melani: L'empio punito (Live)" album is number 28 out of 104. On top of that, Spain appears to be the country where this track was created. L’empio punito, Act I Scene 14: Molto bene io ti comprendo (Live) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of L’empio punito, Act I Scene 14: Molto bene io ti comprendo (Live) by Alessandro Melani, Auser Musici, Giorgio Celenza, Carlo Ipata to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
J’ay mille fois pensé dans ma douce langueur | Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Lucile Richardot | B♭ Major | 2 | 6B | 113 BPM | ||
Sylvie: Air pour les cyclopes | Pierre-Montan Berton, Jean-Claude Trial, Reinoud Van Mechelen, A Nocte Temporis | F♯ Minor | 1 | 11A | 104 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 44, Vergiss mein nicht, BWV 505 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Maddalena ai piedi di Cristo: No. 17 Recitativo Marta "Omai spezza quel nodo" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | B Minor | 1 | 10A | 102 BPM | ||
Te Deum: VIII. Aeterna fac cum sanctis tuis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Esther Lay, Helen Charlston, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: X. Quoniam tu solus sanctus: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 110 BPM | ||
L’empio punito, Act I Scene 5: Giunt’è più volte (Live) | Alessandro Melani, Auser Musici, Federico Fiorio, Benedetta Gaggioli, Giorgio Celenza, raffaele pe, Carlo Ipata | F♯ Major | 1 | 2B | 78 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Trionfi Amore!" (Orfeo, Amore, Euridice, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Der Herr ist König, TWV 8:6: I. No. 6, Aria: Prahlet, Ihr Völker | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan, Shimon Yoshida | E♭ Minor | 2 | 2A | 74 BPM |
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