"Nach Rom Gelangt' Ich, Tannhäuser (Oper In 3 Akten) (Auszug)" by Leo Slezak was released on May 5, 2010. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 21 out of 22. Nach Rom Gelangt' Ich, Tannhäuser (Oper In 3 Akten) (Auszug) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nach Rom Gelangt' Ich, Tannhäuser (Oper In 3 Akten) (Auszug) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zar & Zimmermann: Greifet an und rührt die Hände | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | F Major | 4 | 7B | 129 BPM | ||
La dame blanche, Act II: Komm, o holde Dame (Sung in German) | François-Adrien Boieldieu, Leo Slezak | E Major | 1 | 12B | 172 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Schwanengesang, D. 957: No. 8. Der Atlas | Franz Schubert, Leo Slezak, Studio pianist | D Major | 1 | 10B | 78 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Am stillen Herd (Stolzing) | Richard Wagner, Leo Slezak, Manfred Gurlitt Orchestra, Manfred Gurlitt | E Major | 1 | 12B | 172 BPM | ||
Lohengrin: In fernem Land, "Lohengrin's Narration" (Lohengrin) | Richard Wagner, Leo Slezak, Studio Orchestra | F♯ Major | 1 | 2B | 171 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
Guillaume Tell (William Tell), Act I: O Mathilde, du Engel meine Friede (Sung in German) | Gioachino Rossini, Leo Slezak | E Major | 1 | 12B | 172 BPM | ||
Da plätschert eine Silberquelle (Die Königin von Saba) | Leo Slezak | F Minor | 2 | 4A | 172 BPM | ||
Paganini / Act II: Gern hab' ich die Frau'n geküsst | Franz Lehár, Piotr Beczala, Duncan Riddell, Royal Philharmonic Orchestra, Łukasz Borowicz | A♭ Major | 2 | 4B | 109 BPM |
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