"Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio" by Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra was released on 1982. Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Pinchas Zukerman's "Mozart: Works for Violin & Orchestra" album is number 5 out of 8. Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio by Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Visions Fugitives, Op. 22: 17. Poetico | Sergei Prokofiev, Gianluca Cascioli | F♯ Major | 0 | 2B | 73 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Seht doch! Mit gold'nem Geweih | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
Symphony No. 67 in F Major, Hob.I:67: I. Presto | Joseph Haydn, Nicolaus Esterhazy Sinfonia, Béla Drahos | F Major | 0 | 7B | 72 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Symphony No. 16 in A Major, Op. 37, No. 4, G. 518: II. Minuetto: Allegro | Luigi Boccherini, New Berlin Chamber Orchestra, Michael Erxleben | B♭ Minor | 0 | 3A | 60 BPM | ||
Cantabile in B-Flat Major | Frédéric Chopin, Idil Biret | B♭ Major | 0 | 6B | 69 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": I. Allegro aperto | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | A Major | 1 | 11B | 122 BPM |
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