"Symphony No. 16 in A Major, Op. 37, No. 4, G. 518: II. Minuetto: Allegro" by Luigi Boccherini, New Berlin Chamber Orchestra, Michael Erxleben was released on January 1, 1993. The duration of Symphony No. 16 in A Major, Op. 37, No. 4, G. 518: II. Minuetto: Allegro is about 3 minutes long, at 3:23. Based on our data, "Symphony No. 16 in A Major, Op. 37, No. 4, G. 518: II. Minuetto: Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 12 in Boccherini, L.: Symphonies, Vol. 1 - Nos. 13, 15, 16 by Luigi Boccherini, New Berlin Chamber Orchestra, Michael Erxleben. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony No. 16 in A Major, Op. 37, No. 4, G. 518: II. Minuetto: Allegro is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 16 in A Major, Op. 37, No. 4, G. 518: II. Minuetto: Allegro by Luigi Boccherini, New Berlin Chamber Orchestra, Michael Erxleben is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 2, Allegro maestoso | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | D Minor | 2 | 7A | 110 BPM | ||
Concert nr. 5 pentru pian și orchestră în Mi bemol major, op. 73, Imprerialul, Adagio un poco mosso | Radu Lupu | B Major | 0 | 1B | 92 BPM | ||
Poulenc: Les chemins de l'amour, FP 106 (Trancr. for Cello and Piano) | Francis Poulenc, Edgar Moreau, Pierre-Yves Hodique | D♭ Major | 1 | 3B | 140 BPM | ||
Cello Concerto in C Major: II. Grave | Josef Mysliveček, Wendy Warner, Camerata Chicago, Drostan Hall | F Major | 0 | 7B | 89 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Concerto in D minor, S. Z799: 1. Andante e spiccato | Alessandro Marcello, Håkan Hardenberger, I Musici | D Minor | 2 | 7A | 78 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM |
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