- BPM
- 86
- Key
- E Major
- Camelot
- 12B
Vltava (The Moldau) - Bedřich Smetana, Prague Symphony Orchestra;Libor Pesek Information
- Acousticness
- 91%
- Danceability
- 15%
- Energy
- 15%
- Instrumentalness
- 90%
- Liveness
- 4%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 34%
- Loudness
- -18.932 dB
Summary
"Vltava (The Moldau)" by Bedřich Smetana, Prague Symphony Orchestra;Libor Pesek was released on 2000. Vltava (The Moldau) appears to be safe for all ages as it is not explicit. The song is number 10 out of 10 in Dvorák: New World Symphony / Smetana: Ma Vlast by Antonín Dvořák, Libor Pešek. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vltava (The Moldau) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vltava (The Moldau) BPM
The tempo marking of Vltava (The Moldau) by Bedřich Smetana, Prague Symphony Orchestra;Libor Pesek is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Vltava (The Moldau) Key
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Moldau - Mein Vaterland (Má Vlast) | Bedřich Smetana, Paavo Berglund, Staatskapelle Dresden | C Major | 2 | 8B | 95 BPM | |
 | Frühlingsstimmen, Op. 410 | Johann Strauss II, Slovak Philharmonic, Noriaki Kitamura | B♭ Major | 0 | 6B | 181 BPM | |
 | Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | |
 | 2nd Movement: Largo | London Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | |
 | Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | |
 | Friska from Hungarian Rhapsody No. 2 | Franz Liszt, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | |
 | Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto | Franz Schubert, Beaux Arts Trio | C Minor | 0 | 5A | 101 BPM | |
 | Moment musical in F Minor, Op. 94, No. 3 | Franz Schubert, Philippe Entremont | A♭ Major | 1 | 4B | 100 BPM | |
 | Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | |
 | W.Kilar/G.Niemczuk - Theme from The Pianist | Grzegorz Niemczuk, Wojciech Kilar | E Minor | 1 | 9A | 128 BPM |
- ISRC
- GBARU9900087
- Label
- L-M Records/RCA Records
Section: 4.580281019210815
End: 4.585714101791382