Johann Bernhard Bach, Rinaldo Alessandrini, Concerto Italiano made "Ouverture-Suite in E Minor: VII. Courante" available on November 8, 2019. With Ouverture-Suite in E Minor: VII. Courante being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 38 in Bach: Ouvertures for Orchestra by Rinaldo Alessandrini, Concerto Italiano. Based on our statistics, Ouverture-Suite in E Minor: VII. Courante's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ouverture-Suite in E Minor: VII. Courante by Johann Bernhard Bach, Rinaldo Alessandrini, Concerto Italiano is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ciaccona (After "Zefiro torna e di soavi accenti", SV 251) | Claudio Monteverdi, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 114 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Major | 0 | 4B | 84 BPM | ||
Orchestral Suite No. 2: III. Sarabande | Johann Bernhard Bach, Thüringer Bach Collegium, Gernot Süssmuth | F♯ Major | 1 | 2B | 86 BPM | ||
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor | Johann Caspar Ferdinand Fischer, Andreas Staier | C Minor | 2 | 5A | 124 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): IV. Giga: Allegro (arr. W. Babell) | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | D♭ Major | 1 | 3B | 126 BPM | ||
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: II. Affetuoso | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | E Major | 0 | 12B | 64 BPM | ||
Violin Sonata in D Major, Op. 1 No. 13, HWV 371: IV. Allegro | George Frideric Handel, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Neubrandenburg Concerto No. 3: I. Allegro (Transcr. By Harer, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 2 | 11A | 168 BPM |
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