"Ludus Tonalis: XVI. Fuga octava in D (Con forza)" by Paul Hindemith, Alena Cherny was released on December 6, 2019. With Ludus Tonalis: XVI. Fuga octava in D (Con forza) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Paul Hindemith, Alena Cherny's "Hindemith: Ludus Tonalis" album is number 16 out of 25. On top of that, Switzerland appears to be the country where this track was created. Ludus Tonalis: XVI. Fuga octava in D (Con forza) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ludus Tonalis: XVI. Fuga octava in D (Con forza) by Paul Hindemith, Alena Cherny to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Trauermusik | Paul Hindemith, Geraldine Walther, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 88 BPM | ||
Suite française for small orchestra, FP 80 - Arr. for keyboard as "Suite française d'après Claude Gervaise": 4. Complainte (Calme et mélancolique) | Francis Poulenc, Pascal Rogé | D Minor | 0 | 7A | 127 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": III. Andante | Antonín Dvořák, Smetana Trio | F Minor | 1 | 4A | 85 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Nipponari, H. 68 "Japanese Folk Songs": No. 1, Modrá hodina | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F♯ Major | 0 | 2B | 88 BPM |
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