"Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio - Transcr. for organ by Jörg Halubek" by Johann Sebastian Bach, Jörg Halubek, Il Gusto Barocco was released on April 12, 2024. Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio - Transcr. for organ by Jörg Halubek is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 11 out of 13 in Bach: Sonata & Concertos by Johann Sebastian Bach, Jörg Halubek, Il Gusto Barocco, Anaïs Chen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio - Transcr. for organ by Jörg Halubek is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio - Transcr. for organ by Jörg Halubek by Johann Sebastian Bach, Jörg Halubek, Il Gusto Barocco is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 3 In G Major, BWV 1048: II. Cadenza | Cologne Chamber Orchestra, Johann Sebastian Bach | A Minor | 2 | 8A | 89 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen" | Johann Sebastian Bach, Otto Klemperer, Boys of Hampstead Parish Church Choir, Philharmonia Chorus, Philharmonia Orchestra | E Minor | 2 | 9A | 91 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Magnificat Fugue Primi Toni IV, P260 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. Arioso: No. 20, So heb ich denn mein Auge sehnlich auf, BWV 1088 | Carl Heinrich Graun, Johann Sebastian Bach, Dominik Worner, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): I. Vivace | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | E♭ Major | 2 | 5B | 89 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XIX. Allegro corrente | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 0 | 9B | 71 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM |
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