"Les chants de la mi-mort: Daisyssina" by Alberto Savinio, Bruno Canino was released on January 2, 1993. The duration of Les chants de la mi-mort: Daisyssina is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Les chants de la mi-mort: Daisyssina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Savinio: Les Chants de la mi-mort & Album 1914". In this album, this song's track order is #3. Les chants de la mi-mort: Daisyssina is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les chants de la mi-mort: Daisyssina by Alberto Savinio, Bruno Canino having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations: Piano Alone | John Harbison, Daniel Blumenthal, Janine Jansen, Lars Wouters van den Oudenweijer, Spectrum Concerts Berlin | E Major | 2 | 12B | 68 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 10, Waltz | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | D♭ Major | 4 | 3B | 81 BPM | ||
String Quartet No. 1: IV. Andante molto sostenuto | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
Le Revenant (Live from Carnegie Hall) | Christopher Jessup | D Minor | 0 | 7A | 101 BPM | ||
Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | A♭ Minor | 3 | 1A | 81 BPM | ||
Opus No. 5 Karsten Masch - Tubae Spei - The Trumpets Of Hope | Karsten Masch | E♭ Major | 0 | 5B | 98 BPM | ||
A Foggy Day | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Album 1914: Chant sans parole | Alberto Savinio, Bruno Canino, Luisa Castellani, Alberto Jona | G Major | 1 | 9B | 96 BPM | ||
Mazurka L. 75 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 0 | 11B | 134 BPM |
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