On December 1, 2008, the song "Badinerie (Suite No 2)" was released by Conjunto Barroco De La Sinfónica de Hamburgo. With Badinerie (Suite No 2) being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Suite Orchestral No. 1 & No. 2". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Spain. Based on our statistics, Badinerie (Suite No 2)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Badinerie (Suite No 2) by Conjunto Barroco De La Sinfónica de Hamburgo having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Nicolaus Esterhazy Sinfonia, Béla Drahos | C Major | 3 | 8B | 91 BPM | ||
Friska from Hungarian Rhapsody No. 2 | Franz Liszt, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 5 | 6B | 131 BPM | ||
El bello Danubio azul, Op. 314 | Orquesta De Conciertos Vienesa, Alfred Scholz | D Major | 2 | 10B | 95 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Swan Lake- Dance of the Swans | Pyotr Ilyich Tchaikovsky, Christian Ehwald, Staatsphilharmonie Kosice | F♯ Minor | 0 | 11A | 108 BPM | ||
Grand Caprice on Schubert's Der Erlkönig, Op. 26 | Heinrich Wilhelm Ernst, Jiří Vodička | G Minor | 2 | 6A | 88 BPM | ||
Fiocco - Allegro | Joseph-Hector Fiocco, Steven Staryk | G Major | 3 | 9B | 98 BPM | ||
MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: III. MENUETTO (ALLEGRETTO) AND TRIO | Jeffrey Tate | G Major | 1 | 9B | 139 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 4 | 10A | 85 BPM |
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