Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate made "Les Contes d'Hoffmann / Act 2: "Allons! courage et confiance!"" available on January 1, 1992. The duration of Les Contes d'Hoffmann / Act 2: "Allons! courage et confiance!" is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Les Contes d'Hoffmann / Act 2: "Allons! courage et confiance!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 2: "Allons! courage et confiance!" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Les Contes d'Hoffmann / Act 2: "Allons! courage et confiance!" by Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Les contes d'Hoffmann: Barcarolle from The Tales of Hoffmann (arr. P.Nagy) | Péter Nagy, Jacques Offenbach | D Major | 0 | 10B | 140 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Offenbach: Les Contes d'Hoffman, Act 1: "Va pour Kleinzach! ... Il était une fois à la cour d'Eisenach" (Hoffmann, Nathanaël, Chorus) | Jacques Offenbach, Kent Nagano, Benoît Boutet, Orchestre De L'Opéra National De Lyon | E Minor | 3 | 9A | 85 BPM | ||
Les Contes d'Hoffmann / Act 1: "Vive Dieu! mes amis, la belle créature!" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Andreas Schmidt, Claudia Eder, Plácido Domingo, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 68 BPM | ||
On the Beautiful Blue Danube, Op. 314 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | D Major | 0 | 10B | 94 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM |
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