Jan Dismas Zelenka, Heinz Holliger, Thomas Zehetmair, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet made "Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 4. Tempo giusto" available on March 29, 1999. With this song being about 5 minutes long, at 4:52, "Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 4. Tempo giusto" by Jan Dismas Zelenka, Heinz Holliger, Thomas Zehetmair, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zelenka: Trio Sonatas by Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Thomas Zehetmair, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet. The song's track number on the album is #12 out of 23 tracks. Based on our statistics, Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 4. Tempo giusto's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 4. Tempo giusto by Jan Dismas Zelenka, Heinz Holliger, Thomas Zehetmair, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 4. Tempo giusto being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244: No. 12. Aria: Blute nur, du liebes Herz! (Soprano) | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | F Major | 2 | 7B | 93 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Lass Fürstin, lass noch ein Strahl, BWV 198: Verstummt, ihr holden Saiten (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | D♭ Minor | 0 | 12A | 62 BPM | ||
Missa Divi Xaverii, ZWV 12: Qui sedes | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F Minor | 1 | 4A | 173 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": III. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 142 BPM | ||
De profundis, LWV 62: De profundis | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | C Major | 2 | 8B | 97 BPM | ||
Stabat Mater, P. 77: X. Fac, ut portem | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM |
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