Jean-Féry Rebel, Andrew Manze, Richard Egarr, Jaap Ter Linden made "12 Violin Sonatas, Sonata No. 1 in A Major: IV. Musette" available on 1999. The duration of 12 Violin Sonatas, Sonata No. 1 in A Major: IV. Musette is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. 12 Violin Sonatas, Sonata No. 1 in A Major: IV. Musette's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Rebel: Violin Sonatas". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, 12 Violin Sonatas, Sonata No. 1 in A Major: IV. Musette's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 12 Violin Sonatas, Sonata No. 1 in A Major: IV. Musette by Jean-Féry Rebel, Andrew Manze, Richard Egarr, Jaap Ter Linden having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in F Major, S. 235: II. Andante | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 118 BPM | ||
Pyrame et Thisbé: Air pour les guerriers | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | B♭ Minor | 3 | 3A | 78 BPM | ||
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Symphony in C Minor, J-C 9: II. Affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 83 BPM | ||
Hasse: Demofoonte, Sinfonia: I. Allegro | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 2 | 3B | 136 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM |
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