Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman made "Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso" available on April 1, 1988. The duration of Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Van Wassenaer : 6 Concerti Armonici - APEX by Unico Wilhelm van Wassenaer, Ton Koopman & Amsterdam Baroque Orchestra, Ton Koopman, Amsterdam Baroque Orchestra. The song's track number on the album is #7 out of 23 tracks. Based on our data, France was the country where this track was produced or recorded. Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso by Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Flute Concerto in G Major, QV 5:165: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | D Minor | 0 | 7A | 72 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): III. Adagio | Charles Avison, I Musici | D Minor | 0 | 7A | 168 BPM |
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