"Missa Votiva, ZWV 18: Et incarnatus est" by Jan Dismas Zelenka, Daniel Taylor, Barockorchester Stuttgart, Frieder Bernius was released on April 1, 2010. Missa Votiva, ZWV 18: Et incarnatus est is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius's "Jan Dismas Zelenka: Missa Votiva" album is number 13 out of 20. Missa Votiva, ZWV 18: Et incarnatus est is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Votiva, ZWV 18: Et incarnatus est by Jan Dismas Zelenka, Daniel Taylor, Barockorchester Stuttgart, Frieder Bernius to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gib dich zufrieden, BWV 511 | Johann Sebastian Bach, Carolyn Sampson, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Laudate pueri, HWV 237: V. Quis sicut Dominus | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Messe h-Moll, BWV 232: XXVII. Agnus Dei | Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Alex Potter, Rudolf Lutz | F♯ Minor | 1 | 11A | 79 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 118 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pedes. Sonata | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Minor | 1 | 5A | 98 BPM | ||
Fürwahr, er trug unsere Krankheit, BuxWV 31 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hayat Chaoui, Hanna Kopra, Immo Schroder, Michiel Meijer | A Major | 0 | 11B | 77 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
De Profundis, ZWV 50: No. 3 Sustinuit | Jan Dismas Zelenka, Daniel Taylor, Tilman Lichdi, Barockorchester Stuttgart, Frieder Bernius | A♭ Major | 2 | 4B | 91 BPM | ||
Dixit Dominus, HWV 232: I. Soli & Chorus "Dixit Dominus" | George Frideric Handel, Jordi Savall, Marta Matheu, Anthony Roth Costanzo, Makoto Sakurada, Le Concert Des Nations, La Capella Reial De Catalunya | F♯ Minor | 1 | 11A | 103 BPM | ||
Te Deum "de Lyon": VII. Tu rex gloriæ, Christe | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM |
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