"Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 10, Allegretto pomposo" by Jean François Lesueur, Chorus Musicus Das Neue Orchester, Christoph Spering was released on January 1, 1993. The duration of Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 10, Allegretto pomposo is about 3 minutes long, at 3:19. Based on our data, "Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 10, Allegretto pomposo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean François Lesueur, Christoph Spering, Chorus Musicus Das Neue Orchester's "Le Sueur: Ceremonial Music" album is number 10 out of 16. On top of that, France appears to be the country where this track was created. Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 10, Allegretto pomposo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 10, Allegretto pomposo by Jean François Lesueur, Chorus Musicus Das Neue Orchester, Christoph Spering to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante in E Minor (pipe organ) | Giovanni Andrea Fioroni, Pastór de Lasala | D♭ Minor | 0 | 12A | 72 BPM | ||
Requiem, Op. 89, B. 165 / Part 1: 3. Dies Irae | Antonín Dvořák, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jakub Hrůša | B Minor | 1 | 10A | 137 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Rinaldo, HWV 7b: Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Kantate für Soli und Orchester, BWV 208: Was mir behagt, ist nur die muntre Jagd | Kolner Kammerorchester, Maria Stader | B♭ Major | 0 | 6B | 65 BPM | ||
Kyrie, RV 587: Kyrie eleison | Antonio Vivaldi, Eve Rachel McLeod, Jennifer Ens Modolo, Aradia Ensemble, Kevin Mallon | B Minor | 2 | 10A | 112 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Requiem Mass: I. Introitus: Requiem aeternam | José Maurício Nunes Garcia, Paul Freeman, Helsinki Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM |
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