"Cantate: I. A lyke-wake dirge. Versus 1. Prelude "This ae nighte"" by Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss was released on 2005. With Cantate: I. A lyke-wake dirge. Versus 1. Prelude "This ae nighte" being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Stravinsky: Les Noces". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. Based on our statistics, Cantate: I. A lyke-wake dirge. Versus 1. Prelude "This ae nighte"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantate: I. A lyke-wake dirge. Versus 1. Prelude "This ae nighte" by Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / I. Primo vere: "Omnia Sol temperat" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM | ||
Spartacus, Act I: Dance of a Greek Slaves (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Minor | 1 | 9A | 111 BPM | ||
Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM | ||
Daphnis et Chloe: Part I: Derriere la scene, on entend des voix | Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard | C Major | 1 | 8B | 136 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Tristan und Isolde / Act 1: "Westwärts schweift der Blick" | Richard Wagner, Margaret Price, Brigitte Fassbaender, Eberhard Büchner, Staatskapelle Dresden, Carlos Kleiber | F Minor | 2 | 4A | 85 BPM | ||
Requiem, Op. 89 B. 165: Sequentia: Tuba mirum (Alto, Tenor, Bass, Chorus) | Antonín Dvořák, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | D♭ Major | 2 | 3B | 92 BPM | ||
Petite messe solennelle: Credo: Petite messe solennelle: Credo: I. Credo in unum Deum | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | B Major | 1 | 1B | 131 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): IV. Ordinario - Sanctus - Osanna | Wolfgang Amadeus Mozart, RIAS Kammerchor, René Jacobs, Freiburger Barockorchester | C Major | 2 | 8B | 120 BPM | ||
Matthäus-Passion, BWV 244, Part II: No. 63, "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) - "Wahrlich, dieser ist Gottes Sohn gewesen" (Chorus I & II) - "Und es waren viel Weiber da" (Evangelista) (Evangelista, Chorus I & II) | Johann Sebastian Bach, Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | D Major | 2 | 10B | 73 BPM |
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