Johann Sebastian Bach, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra made "Keyboard Concerto No. 7 in G Minor, BWV 1058: I. -" available on 1957. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Glenn Gould, George Frideric Handel, Glenn Gould, Paul Hindemith, Glenn Gould, Richard Strauss, Glenn Gould, Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: Piano Concertos Nos. 1 - 5 BWV 1052-1056 & No. 7 BWV 1058" album is number 7 out of 18. In terms of popularity, Keyboard Concerto No. 7 in G Minor, BWV 1058: I. - is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Keyboard Concerto No. 7 in G Minor, BWV 1058: I. - by Johann Sebastian Bach, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, L. 413 - Remastered | Domenico Scarlatti, Glenn Gould | D Minor | 3 | 7A | 103 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
String Quartet No. 2 Op.13 in A minor: I Adagio - Allegro vivace | Felix Mendelssohn, Quatuor Ébène | A Minor | 3 | 8A | 70 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 2 in A Minor, Op. 19, No. 2 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. Adagio | Ludwig van Beethoven, Glenn Gould | F Major | 0 | 7B | 114 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Fritz Kreisler, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 128 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Suite en Sol Majeur, RCT 6: IX. L'Egyptienne | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 1 | 6A | 65 BPM |
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