"Requiem: 13. Credo" by Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg, Alexey Zavolokin, Sergei Sokuler, Konstantin Limantsev, Anton Sumenkov, Marianna Vysotskaya, Anna Styazhkina, Elena Ilyina, Percussion ensemble of the Moscow Philharmonic Orchestra was released on November 4, 2022. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 17 in Alfred Schnittke: Requiem by Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Russia. Requiem: 13. Credo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: 13. Credo by Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg, Alexey Zavolokin, Sergei Sokuler, Konstantin Limantsev, Anton Sumenkov, Marianna Vysotskaya, Anna Styazhkina, Elena Ilyina, Percussion ensemble of the Moscow Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | F Major | 0 | 7B | 77 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Ritirata notturna di Madrid (arr. L. Berio for orchestra) | Luciano Berio, Luigi Boccherini, Radion sinfoniaorkesteri, Hannu Lintu | C Major | 2 | 8B | 135 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM |
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