"In Nomine - All'ongherese (2001) Damjanick - Emlékkö for bass clarinet, parlando - Rubato, con Slancio" by György Kurtág, Ensemble Recherche had its release date on January 1, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ensemble Recherche's "IN NOMINE: The Witten In Nomine Broken Consort Book" album is number 12 out of 42. On top of that, Austria appears to be the country where this track was created. In terms of popularity, In Nomine - All'ongherese (2001) Damjanick - Emlékkö for bass clarinet, parlando - Rubato, con Slancio is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of In Nomine - All'ongherese (2001) Damjanick - Emlékkö for bass clarinet, parlando - Rubato, con Slancio by György Kurtág, Ensemble Recherche to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Louange à l'Éternité de Jésus (From "Quartet for the End of Time") | Olivier Messiaen, Yo-Yo Ma, Kathryn Stott | E Major | 0 | 12B | 83 BPM | ||
Vogel als Prophet, Op. 82, No. 7 - Grand Piano | Robert Schumann, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major (Moderato) | Sergei Rachmaninoff, Vladimir Ashkenazy | G Major | 0 | 9B | 70 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
Signs, Games And Messages For Viola Solo: Perpetuum mobile | György Kurtág, Kim Kashkashian | D Minor | 3 | 7A | 134 BPM |