Edith Mathis's 'Die Verschweigung Kv 518' came out on 1986. The duration of Die Verschweigung Kv 518 is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Die Verschweigung Kv 518's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 39 in Edith Mathis: Lieder by Karl Engel. Based on our statistics, Die Verschweigung Kv 518's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Die Verschweigung Kv 518 by Edith Mathis is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schubert: Ganymed, Op. 19 No. 3, D. 544 | Franz Schubert, Barbara Bonney | B♭ Major | 1 | 6B | 72 BPM | ||
Ein Küssgen in Ehren | Johann Philipp Krieger, Edith Mathis | F Major | 1 | 7B | 73 BPM | ||
25 Scottish Songs, Op. 108: No. 9, Behold My Love How Green the Groves | Ludwig van Beethoven, Edith Mathis, Dietrich Fischer-Dieskau, Andreas Roehn, Georg Donderer, Karl Engel | C Minor | 0 | 5A | 69 BPM | ||
Symphony No. 2 in C minor - "Resurrection": Vd. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) | Gustav Mahler, Edith Mathis, Norma Procter, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Otto Freudenthal, Bavarian Radio Chorus | D♭ Major | 1 | 3B | 70 BPM | ||
Die lustigen Weiber von Windsor (The Merry Wives of Windsor): Act III: Trio - Finale: So hat denn der Schwank der frohlichen Nacht (Frau Fluth, Anna, Frau Reich, Falstaff, Chorus, Fenton, Fluth, Reich) | Otto Nicolai, Peter Schreier, Edith Mathis, Kurt Moll, Helen Donath, Hanna Schwarz, Bernd Weikl, Siegfried Vogel, Staatskapelle Berlin, Bernhard Klee, Berlin State Opera Chorus | C Major | 3 | 8B | 82 BPM | ||
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne | A♭ Major | 0 | 4B | 181 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | F Major | 0 | 7B | 85 BPM | ||
Fidelio, Op. 72 / Act 1: "Jetzt, Schätzchen, jetzt sind wir allein" | Ludwig van Beethoven, Peter Schreier, Edith Mathis, Staatskapelle Dresden, Karl Böhm, Walter Taussig | D Minor | 2 | 7A | 79 BPM | ||
Elgar: Pomp and Circumstance, Op. 39: I. March No. 1 in D Major (Allegro con molto fuoco - Trio - Molto maestoso) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult, David Bell | D Major | 3 | 10B | 93 BPM |
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