Giovanni Gabrieli, The Philadelphia Brass Ensemble, The Cleveland Brass Ensemble, The Chicago Brass Ensemble, Richard Burgin made "Canzon à 12" available on 1960. The duration of Canzon à 12 is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Canzon à 12's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "The Antiphonal Music of Gabrieli". In this album, this song's track order is #7. In terms of popularity, Canzon à 12 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Canzon à 12 by Giovanni Gabrieli, The Philadelphia Brass Ensemble, The Cleveland Brass Ensemble, The Chicago Brass Ensemble, Richard Burgin having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Canzoni et sonate (arr. E. Crees for brass): Canzon VII | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Major | 0 | 9B | 87 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | D♭ Major | 1 | 3B | 76 BPM | ||
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: V. Benedictus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 88 BPM | ||
The Leaves Bee Greene | William Inglott, Neil Taylor | B Minor | 1 | 10A | 73 BPM | ||
Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Notre Pere, Op. 14 | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | E Major | 0 | 12B | 109 BPM | ||
Missa ex B: XXII. Sanctus - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM |
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