Franz Joseph Haydn, Orpheus Chamber Orchestra made "Symphony in F sharp minor, H.I No.45 -"Farewell": 4. Finale. Presto" available on January 1, 1988. The duration of Symphony in F sharp minor, H.I No.45 -"Farewell": 4. Finale. Presto is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Symphony in F sharp minor, H.I No.45 -"Farewell": 4. Finale. Presto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Joseph Haydn, Orpheus Chamber Orchestra's "Haydn, J.: Symphonies Nos.Hob.I:81 & Hob.I:45 "Farewell"" album is number 8 out of 9. Symphony in F sharp minor, H.I No.45 -"Farewell": 4. Finale. Presto is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony in F sharp minor, H.I No.45 -"Farewell": 4. Finale. Presto by Franz Joseph Haydn, Orpheus Chamber Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Wales Camerata, Owain Arwel Hughes | G Major | 0 | 9B | 78 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Symphony No. 2 in B-Flat major, D. 125: II. Andante | Franz Schubert, Günter Wand | A Minor | 3 | 8A | 168 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
String Quartet No. 6 in F Minor, Op. 80, MWV R30: I. Allegro vivace assai | Felix Mendelssohn, New Zealand String Quartet | F♯ Major | 0 | 2B | 134 BPM | ||
String Quartet, Op. 76, No. 4 in B-Flat Minor, 'Sunrise': I. Allegro con spirito | Joseph Haydn, Matangi Quartet | F Major | 1 | 7B | 136 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM |
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