Elverskud (Elf-King's Daughter), Op. 30: First Part: II. Oluf's Ballade: Andante sostenuto
Niels Gade, Susanne Elmark, Kirsten Dolberg, Guido Paevatalu, Morten Schuldt-Jensen, Tivoli Concert Choir, Tivoli Symphony Orchestra, Michael Schønwandt
Gade, N.: Elverskud / Fruhlings-Phantasie
4:14 August 9, 1996
BPM
71
Key
F Major
Camelot
7B

Embed

Share Link

Elverskud (Elf-King's Daughter), Op. 30: First Part: II. Oluf's Ballade: Andante sostenuto - Niels Gade, Susanne Elmark, Kirsten Dolberg, Guido Paevatalu, Morten Schuldt-Jensen, Tivoli Concert Choir, Tivoli Symphony Orchestra, Michael Schønwandt Information

Acousticness
98%
Danceability
18%
Energy
11%
Instrumentalness
60%
Liveness
12%
Loudness
59%
Speechiness
5%
Valence
5%
Popularity
Loudness
-24.679 dB

Summary

"Elverskud (Elf-King's Daughter), Op. 30: First Part: II. Oluf's Ballade: Andante sostenuto" by Niels Gade, Susanne Elmark, Kirsten Dolberg, Guido Paevatalu, Morten Schuldt-Jensen, Tivoli Concert Choir, Tivoli Symphony Orchestra, Michael Schønwandt was released on August 9, 1996. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Niels Gade's "Gade, N.: Elverskud / Fruhlings-Phantasie" album is number 3 out of 14. Elverskud (Elf-King's Daughter), Op. 30: First Part: II. Oluf's Ballade: Andante sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elverskud (Elf-King's Daughter), Op. 30: First Part: II. Oluf's Ballade: Andante sostenuto BPM

We consider the tempo marking of Elverskud (Elf-King's Daughter), Op. 30: First Part: II. Oluf's Ballade: Andante sostenuto by Niels Gade, Susanne Elmark, Kirsten Dolberg, Guido Paevatalu, Morten Schuldt-Jensen, Tivoli Concert Choir, Tivoli Symphony Orchestra, Michael Schønwandt to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Elverskud (Elf-King's Daughter), Op. 30: First Part: II. Oluf's Ballade: Andante sostenuto Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Giselle / Act 2: Grand pas de deux: Adage by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeGiselle / Act 2: Grand pas de deux: AdageAdolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeE♭ Major05B73 BPM
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) by Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto)Antonín Dvořák, Czech Philharmonic Orchestra, Jiří BělohlávekG Major29B106 BPM
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) by Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut HöllWinterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl)Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut HöllA Major011B119 BPM
Barocco Suite No. 5 for Chamber Orchestra, Op. 23: IV. Pastorale e Gagliarda by Kurt Atterberg, Örebro Chamber Orchestra, Thord Svedlund, Mikael BergekBarocco Suite No. 5 for Chamber Orchestra, Op. 23: IV. Pastorale e GagliardaKurt Atterberg, Örebro Chamber Orchestra, Thord Svedlund, Mikael BergekA Major011B74 BPM
Capriol Suite: IV. Bransles by Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel SchmidtCapriol Suite: IV. BranslesPeter Warlock, Metamorphosen Berlin, Wolfgang Emanuel SchmidtD Minor27A90 BPM
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) by Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto)Antonín Dvořák, Czech Philharmonic Orchestra, Jiří BělohlávekG Major29B129 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
Symphony No. 6 in B Minor, Op. 74 Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con graziaPyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeternaD Major210B66 BPM
The Birds, P. 154: IV. The Nightingale (L'usignolo) by Ottorino Respighi, Orpheus Chamber OrchestraThe Birds, P. 154: IV. The Nightingale (L'usignolo)Ottorino Respighi, Orpheus Chamber OrchestraC Major08B85 BPM
Pelléas et Mélisande, Op. 80: 4. Sicilienne by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op. 80: 4. SicilienneGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaF Major27B98 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.602750301361084

End: 0.6085555553436279