"Morgen!" by Leo Slezak, Michael Raucheisen was released on October 1, 2006. The duration of Morgen! is about 3 minutes long, at 3:22. Based on our data, "Morgen!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leo Slezak's "Leo Slezak singt" album is number 24 out of 35. In terms of popularity, Morgen! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Morgen! by Leo Slezak, Michael Raucheisen to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gypsy Princess (Die Csárdásfürstin): "Joj, Mamam" | Emmerich Kálmán, Willy Hofmann, Benno Kusche, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | C Major | 3 | 8B | 122 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Torna piccina | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 2 | 4A | 168 BPM | ||
Aida: Aida, Act: Duet: Zu sterbe … Sieh' dort den Todesengel | Giuseppe Verdi, Leo Slezak, Sophie Sedlmair, Studio pianist | E Major | 1 | 12B | 172 BPM | ||
Die Konigin von Saba (The Queen of Sheba), Op. 27: Act II: Magische Tone | Karl Goldmark, Leo Slezak | C Major | 2 | 8B | 85 BPM | ||
Die Fledermaus: Act I: Duettino: Ach, ich darf nicht hin zu ihr (Rosalinde, Adele) | Johann Strauss II, Aga Mikolaj, Chen Reiss, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Villanelle | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 53 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Teil 5 - Folge 12: Stimmen aus dem Jenseits | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Otto Czarski, Jürgen Thormann, Maria Axt, Hans-Werner Bussinger, Paul Paulschmidt | A♭ Major | 2 | 4B | 84 BPM | ||
Requiem: Mors stupebit | Xavier Benguerel, Cor de Cambra del Palau de la Musica Catalana, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Dalmau González, Lluís Sintes, Maribel Ortega, Marisa Martins, Matteo Suk, Miquel Ortega | D Major | 1 | 10B | 80 BPM |
Section: 0.6715474128723145
End: 0.67539381980896