Orchestre des Frivolités Parisiennes, Léovanie Raud, Marion Tassou, Yoni Amar, Richard Delestre's 'Give Him the Ooh La La - Live at Théâtre du Châtelet' came out on November 11, 2022. The duration of Give Him the Ooh La La - Live at Théâtre du Châtelet is about 3 minutes long, at 3:19. Based on our data, "Give Him the Ooh La La - Live at Théâtre du Châtelet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 21 in Cole Porter in Paris (Live at Théâtre du Châtelet) by Orchestre des Frivolités Parisiennes. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Give Him the Ooh La La - Live at Théâtre du Châtelet is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Give Him the Ooh La La - Live at Théâtre du Châtelet by Orchestre des Frivolités Parisiennes, Léovanie Raud, Marion Tassou, Yoni Amar, Richard Delestre is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Diable à Paris, Act II: XI. Couplets d'entrée de Paola - Live | Marcel Lattès, Julie Mossay, Orchestre des Frivolités Parisiennes, Dylan Corlay, Céline Groussard | F Major | 2 | 7B | 132 BPM | ||
Sauguet: Tableaux de Paris: V. Le canal Saint-Martin | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Suite from Mam'zelle Angot (Arranged and Orchestrated by Gordon Jacob), Act I: No. 1, Allegro | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | F Minor | 1 | 4A | 135 BPM | ||
La jota aragonese | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
La sirène, S. 37, Act I: Quand vient l’ombre silencieuse (Live) | Daniel Auber, Jeanne Crousaud, Dorothée Lorthiois, Benjamin Mayenobe, Jean-Noël Teyssier, Orchestre des Frivolités Parisiennes, David Reiland | F Major | 1 | 7B | 92 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 1 | 8B | 101 BPM | ||
The Mill on the Brook, Kinderleben Op.62 No.10 (Theodor Kullak) | The Gerst Ensemble | A Major | 0 | 11B | 77 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Emmeline: Act One: The Lord Has spared this child" | Santa Fe Opera | B♭ Minor | 1 | 3A | 78 BPM | ||
Broken mud | Muro Duro | E Minor | 4 | 9A | 180 BPM |
Section: 0.7155990600585938
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