- BPM
- 91
- Key
- C Minor
- Camelot
- 5A
Daphnis et Chloé, M. 57 / Première partie: Scène - Modéré - Plus lent - Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa Information
- Acousticness
- 81%
- Danceability
- 23%
- Energy
- 3%
- Instrumentalness
- 98%
- Liveness
- 12%
- Loudness
- 43%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -33.982 dB
Summary
"Daphnis et Chloé, M. 57 / Première partie: Scène - Modéré - Plus lent" by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa was released on May 16, 2020. With Daphnis et Chloé, M. 57 / Première partie: Scène - Modéré - Plus lent being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 96 in the song's album "Romantic Vol.2". In this album, this song's track order is #10. In terms of popularity, Daphnis et Chloé, M. 57 / Première partie: Scène - Modéré - Plus lent is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Daphnis et Chloé, M. 57 / Première partie: Scène - Modéré - Plus lent BPM
With Daphnis et Chloé, M. 57 / Première partie: Scène - Modéré - Plus lent by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Daphnis et Chloé, M. 57 / Première partie: Scène - Modéré - Plus lent Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les cloches de Genève | Franz Liszt, André Laplante | B Major | 0 | 1B | 68 BPM | |
 | Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | |
 | 6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | |
 | Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | E♭ Major | 0 | 5B | 87 BPM | |
 | Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | |
 | 6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM | |
 | Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | |
 | Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | |
 | Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | |
 | Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7322957515716553
End: 0.7374927997589111