Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova, Sean Clayton, Cyril Auvity, André Morsch's 'Ecce Nunc Benedicite, S.8: III. Benedicat te Dominus ex Sion' came out on April 13, 2018. The duration of Ecce Nunc Benedicite, S.8: III. Benedicat te Dominus ex Sion is about 3 minutes long, at 3:07. Based on our data, "Ecce Nunc Benedicite, S.8: III. Benedicat te Dominus ex Sion" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre's "Lalande: Majesté (Collection Château de Versailles)" album is number 11 out of 29. On top of that, France appears to be the country where this track was created. Ecce Nunc Benedicite, S.8: III. Benedicat te Dominus ex Sion is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ecce Nunc Benedicite, S.8: III. Benedicat te Dominus ex Sion by Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova, Sean Clayton, Cyril Auvity, André Morsch to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Per un bacio | Barbara Strozzi, Berit Norbakken, Solmund Nystabakk | A Major | 0 | 11B | 129 BPM | ||
29 Partite sopra l'aria della Folia (Arr. for Recorder, Cello, Harpsichord & Guitar by D. Oberlinger) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 2 | 12A | 129 BPM | ||
Issé: Issé, Prologue: Menuets | Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D♭ Major | 2 | 3B | 103 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Ojos, pues me desdeñais | José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Dido and Aeneas, Z. 626, Act II: The Grove - Thanks to these lonesome vales | Henry Purcell, La Nuova Musica, David Bates, Giulia Semenzato | F♯ Minor | 2 | 11A | 126 BPM | ||
Te Deum, S.32: IX. Tu, devicto mortis aculeo | Michel Richard Delalande, Le Poème Harmonique, Vincent Dumestre, André Morsch | C Minor | 3 | 5A | 104 BPM | ||
Te Deum, S.32: XVII. Miserere nostri | Michel Richard Delalande, Le Poème Harmonique, Vincent Dumestre, Sean Clayton, Cyril Auvity, André Morsch | B Major | 1 | 1B | 180 BPM | ||
Te Deum: VIII. Aeterna fac cum sanctis tuis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Esther Lay, Helen Charlston, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |
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