Johann Sebastian Bach, Walter Gieseking made "Prelude And Fugue In D (Well-Tempered Clavier, Book I, No. 5), BWV 850" available on May 1, 2021. The duration of Prelude And Fugue In D (Well-Tempered Clavier, Book I, No. 5), BWV 850 is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Prelude And Fugue In D (Well-Tempered Clavier, Book I, No. 5), BWV 850's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 175 in the song's album "Simply Bach". In this album, this song's track order is #44. Furthermore, we believe that the track originated from Germany. Prelude And Fugue In D (Well-Tempered Clavier, Book I, No. 5), BWV 850 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Prelude And Fugue In D (Well-Tempered Clavier, Book I, No. 5), BWV 850 by Johann Sebastian Bach, Walter Gieseking having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Keyboard Concerto in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Oleg Malov, Orchestra "Classical Music Studio", St. Petersburg, Alexander Titov, St. Petersburg Orchestra Classical Music Studio | A♭ Major | 0 | 4B | 111 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Kinderszenen, Op.15: 4. Bittendes Kind | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 113 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: I. Vivace | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | D♭ Minor | 5 | 12A | 108 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |
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