Maurice Ravel, Louis Lortie, Hélène Mercier's 'Ma mère l'oye, M. 60 (Version for Piano Duo): II. Petit Poucet' came out on November 1, 1990. The duration of Ma mère l'oye, M. 60 (Version for Piano Duo): II. Petit Poucet is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Ma mère l'oye, M. 60 (Version for Piano Duo): II. Petit Poucet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Ravel: Works for 2 Pianos & Piano Duet". In this album, this song's track order is #2. Based on our statistics, Ma mère l'oye, M. 60 (Version for Piano Duo): II. Petit Poucet's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma mère l'oye, M. 60 (Version for Piano Duo): II. Petit Poucet by Maurice Ravel, Louis Lortie, Hélène Mercier having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet Sur Le Nom De Haydn | Maurice Ravel, André Laplante | G Major | 0 | 9B | 69 BPM | ||
Meditation: Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Prelude in B minor, BWV 855a (Arr. by Alexander Siloti) | Johann Sebastian Bach, Khatia Buniatishvili | B Minor | 0 | 10A | 100 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM |
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