Willem de Fesch, Jed Wentz, Musica ad Rhenum, Manfredo Kraemer, Marion Moonen made "Concerto in D Major: Concerto No. 4 in D Major: II. Largo e cantabile" available on January 1, 1996. The duration of Concerto in D Major: Concerto No. 4 in D Major: II. Largo e cantabile is about 3 minutes long, at 3:04. Based on our data, "Concerto in D Major: Concerto No. 4 in D Major: II. Largo e cantabile" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Willem De Fesch: VI Concerti Opera Quinta by Willem de Fesch, Jed Wentz, Musica ad Rhenum, Manfredo Kraemer, Marion Moonen. The song's track number on the album is #2 out of 21 tracks. In terms of popularity, Concerto in D Major: Concerto No. 4 in D Major: II. Largo e cantabile is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Concerto in D Major: Concerto No. 4 in D Major: II. Largo e cantabile by Willem de Fesch, Jed Wentz, Musica ad Rhenum, Manfredo Kraemer, Marion Moonen has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto in D Major: Concerto No. 4 in D Major: II. Largo e cantabile being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata VII in Re Magg.: I. Vivace | Michele Mascitti, Matteo Cicchitti, Musica Elegentia | D♭ Major | 4 | 3B | 120 BPM | ||
Oboe Concerto in D Minor, Op. 9 No. 2: III. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | E Minor | 0 | 9A | 106 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: IV. Postillons | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 118 BPM | ||
Sonate für Trompete Nr. 4 D-Dur: II. Largo | Domenico Gabrielli, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM | ||
Airs for the Winter: Golden Rod: III. Tempo di minuetto: Allegro | James Oswald, The Broadside Band | A Major | 2 | 11B | 76 BPM | ||
Céphale et Procris, Prologue: Reprise de l'ouverture comme entr'acte | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Sonata a 6 in D Minor, G. 24 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |
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