"Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": VIII. Andante" by Pēteris Vasks, Renaud Capuçon, Chamber Orchestra of Europe was released on March 3, 2014. Since Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": VIII. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 14 in Distant Light - Renaud Capuçon plays Bach & Vasks by Renaud Capuçon, Chamber Orchestra of Europe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": VIII. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": VIII. Andante by Pēteris Vasks, Renaud Capuçon, Chamber Orchestra of Europe is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 2 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | A♭ Major | 1 | 4B | 141 BPM | ||
Sea Pictures: IV. Nocturne (Song of the Watch) | Uuno Klami, Turku Philharmonic Orchestra, Jorma Panula | D Minor | 0 | 7A | 75 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Flow My Tears (Lachrimae) | John Dowland, Attacca Quartet | A Minor | 0 | 8A | 138 BPM | ||
Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Cycle: II. Nocturne | Pēteris Vasks, Reinis Zariņš | G Minor | 0 | 6A | 173 BPM | ||
Stabat Mater, RV. 621: Stabat Mater, RV. 621: Stabat Mater dolorosa | Antonio Vivaldi, Andreas Scholl, Chiara Banchini, Ensemble 415 | E Minor | 1 | 9A | 173 BPM |
Section: 0.8623397350311279
End: 0.8657617568969727