Chor der St. Hedwigs-Kathedrale Berlin made "Symphony No. 9 in D minor, Op. 125: Stimmt an die Saiten" available on 1979. The duration of Symphony No. 9 in D minor, Op. 125: Stimmt an die Saiten is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Symphony No. 9 in D minor, Op. 125: Stimmt an die Saiten's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 15 in Die Himmel rühmen by Various Artists. In terms of popularity, Symphony No. 9 in D minor, Op. 125: Stimmt an die Saiten is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Symphony No. 9 in D minor, Op. 125: Stimmt an die Saiten by Chor der St. Hedwigs-Kathedrale Berlin is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Desert: Pt. I: Entry into the desert: A l'aspect du desert l'infini se revele | Félicien David, Olivier Pascalin, Bruno Lazzaretti, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Guido Maria Guida | F Major | 0 | 7B | 138 BPM | ||
Messa da Requiem: II. Lacrymosa | Giuseppe Verdi, Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS-Symphonie-Orchester, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin | G Minor | 1 | 6A | 139 BPM | ||
Russischer Marsch, Op. 426 | Johann Strauss II, Neeme Järvi, Estonian National Symphony Orchestra | B Major | 5 | 1B | 181 BPM | ||
String Quintet in A major, Op. 11/5, G 275: Minuetto | The Smithsonian Chamber Players | A♭ Major | 0 | 4B | 184 BPM | ||
Notre Dame, Op. 2: Act II Scene 2: Asyl! Asyl! (Quasimodo, Chorus) | Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick | B Major | 3 | 1B | 71 BPM | ||
Notre Dame, Op. 2: Act II Scene 1: So sanft und friedlich (Archdeacon) | Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick | E Major | 3 | 12B | 80 BPM | ||
Guten Abend, gut' Nacht, Op. 49, No. 4 | Johannes Brahms, Jonas Kaufmann | E♭ Major | 0 | 5B | 71 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 3 Scene 4: No. 14, Volkslied, "Wir winden dir den Jungfernkranz" (Brautjungfern, Chorus, Agathe, Ännchen) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E♭ Major | 0 | 5B | 68 BPM | ||
Te Deum in C Major, WAB 45: I. Te deum | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | D Major | 1 | 10B | 117 BPM | ||
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM |
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