"Guten Abend, gut' Nacht, Op. 49, No. 4" by Johannes Brahms, Jonas Kaufmann was released on 2010. The duration of Guten Abend, gut' Nacht, Op. 49, No. 4 is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Guten Abend, gut' Nacht, Op. 49, No. 4's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Klassik Wunderland - Klassische Musik für Kinder" album is number 11 out of 11. Guten Abend, gut' Nacht, Op. 49, No. 4 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Guten Abend, gut' Nacht, Op. 49, No. 4 by Johannes Brahms, Jonas Kaufmann to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM | ||
The Magic Flute, K. 620: Act I, No. 2. Aria: "Der Vogelfänger bin ich ja" | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 140 BPM | ||
Wiener Blut, Walzer, Op. 354 | Johann Strauss II, Semyon Bychkov, Wiener Philharmoniker | C Major | 1 | 8B | 172 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Dritter Akt: Tausend kleine Engel singen (Sylva - Stasi - Edwin - Boni) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | D Major | 2 | 10B | 80 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Singin' In The Rain (Main Title) | Jonas Kaufmann | G Major | 2 | 9B | 125 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | E♭ Major | 1 | 5B | 91 BPM | ||
The Tale of Tsar Saltan: The Flight of the Bumblebee (Arr. for Cello and Piano) | Nikolai Rimsky-Korsakov, Sol Gabetta, Irène Timacheff-Gabetta | A Minor | 2 | 8A | 169 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM |
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