Charles Lecocq, Orchestre de l'Association des Concerts Lamoureux, Freda Betti, Willy Clement, Jules Gressier, Rene Herent made "Le Petit Duc, Act III: Finale" available on January 1, 2000. With Le Petit Duc, Act III: Finale being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Lecocq, Orchestre de l'Association des Concerts Lamoureux, Jules Gressier, Nadine Renaux's "lecocq: Le Petit Duc" album is number 13 out of 13. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Le Petit Duc, Act III: Finale is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le Petit Duc, Act III: Finale by Charles Lecocq, Orchestre de l'Association des Concerts Lamoureux, Freda Betti, Willy Clement, Jules Gressier, Rene Herent to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Series I., Op. 46, B. 83: II. in E minor. Allegretto scherzando | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
La traviata, Act I: "Un dì felice" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Le Cid: Aragonaise | Jules Massenet, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 0 | 10B | 120 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto: Women's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 89 BPM | ||
Mam'zelle Angot - Arr. Jacob: 1. Allegro | Charles Lecocq, National Philharmonic Orchestra, Richard Bonynge | D Major | 3 | 10B | 132 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
La Bayadere: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 78 BPM | ||
La fille de Madame Angot, Act II: XV. Final - suite. Ah ! je te trouve ! | Charles Lecocq, Véronique Gens, Anne-Catherine Gillet, Flannan Obé, Chœur du Concert Spirituel, Orchestre de chambre de Paris, Sébastien Rouland | A Major | 3 | 11B | 102 BPM | ||
La Fille De Madame Angot - Acte 1 : Duo Bouffe "Eh Quoi? C'est Larivaudière" | Charles Lecocq, Jean Doussard - Bernard Sinclair - Orchestre Du Théatre National De L'Opéra Comique - Michel Roux | A Major | 3 | 11B | 92 BPM | ||
Rondeau Di Pitou | Charles Lecocq, Koning, M.M. Clairville, Siraudin, Cesare Gallino | E♭ Major | 2 | 5B | 73 BPM |
Section: 0.6341798305511475
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