"Madrigal y Cinco canciones sefardies (Madrigal and 5 Sephardic Songs) (version for voice and guitar): No. 6. Nana Sefardi (Sephardic Lullaby)" by Lorenzo Palomo, Maria Bayo, Pepe Romero had its release date on 2009. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Palomo, L.: My Secluded Garden / Madrigal and 5 Sephardic Songs / Concierto De Cienfuegos". In this album, this song's track order is #17. Madrigal y Cinco canciones sefardies (Madrigal and 5 Sephardic Songs) (version for voice and guitar): No. 6. Nana Sefardi (Sephardic Lullaby) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madrigal y Cinco canciones sefardies (Madrigal and 5 Sephardic Songs) (version for voice and guitar): No. 6. Nana Sefardi (Sephardic Lullaby) by Lorenzo Palomo, Maria Bayo, Pepe Romero having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnos de Andalucía: VI. El Tablao | Lorenzo Palomo, Christoph Denoth, Jesús López-Cobos, London Symphony Orchestra | A Major | 1 | 11B | 125 BPM | ||
Una primavera andaluza (An Andalusian Spring): No. 2. La nina de blanco (The Maiden in White) | Lorenzo Palomo, Maria Bayo, Seville Royal Symphony Orchestra, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 84 BPM | ||
On This Island, Op. 11: V. As It Is, Plenty | Benjamin Britten, Jodie Devos, Nicolas Krüger | D Major | 2 | 10B | 38 BPM | ||
Madrigal: Penas de amores (Pains of Love) | Lorenzo Palomo, Ofelia Sala, Jochen Hoffmann, Helge Bartholomäus, Elsie Bedleem | D Major | 0 | 10B | 91 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Nipponari, H. 68 "Japanese Folk Songs": No. 2, Stáří | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | B♭ Minor | 0 | 3A | 88 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Eventide: II. Tema | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM |